====== [hemmerling] Audiovision 9/9 - Video Making & Audio Making ====== ===== Play Music and Record Video on Smartphones ===== *[[http://www.flexclip.com/learn/how-to-play-music-and-record-video.html|How to Play Music and Record Video on iPhone and Android]]. -"Shoot Video While Playing Music with iPhone's Trick". -"Shoot Videos with Music Playing with Instagram". *[[http://www.instagram.com/p/CpKyK82jK81/|Instagram video "Emmanuela moves her lips ( full playback ) to a song "Două perechi", in 3 video takes]]. *This Instagram video documents that it is possible to record a personal "full playback" video in several takes: *While a smartphone plays a song, the smartphone owner may record a video using the smartphone cam. *He may continue recording the video with another video take, starting with song when it was stopped with the previous video take. *So personal video may feature several video takes with continous playing of a song. *Or is this video really edited with an editing software, using 3 silent videos and adding a final sound track, and then uploading the final video to Instagram? How did the editor keep the song in sync with the lips of the smartphone owner of 3 different video takes? *There are other Instagram videos where just 1 silent video take is ovedubbed by a song. I assume that this was a simple live recording. May this done with a different, more simple approach than the video with 3 video takes? ===== Literature ===== ==== Books about Videomaking ==== *Daniel Arijon: *Book [[http://www.amazon.de/exec/obidos/ASIN/187950507X/hemmerling-21|Steve(n) Daniel Arijon: "Grammar of the Film Language"]]. *German book by Daniel Arijon "Grammatik der Filmsprache", [[http://www.zweitausendeins.de/|Zweitausendeins]] #18342, ISBN 3861503360. *German book [[http://www.amazon.de/exec/obidos/ASIN/3827004608/hemmerling-21|Michael Ballhaus, Tom Tykwer: "Das fliegende Auge"]]. *David Howard, Edward Mabley: *Book [[http://www.amazon.de/exec/obidos/ASIN/0312119089/hemmerling-21|David Howard, Edward Mabley: "Tools Of Screenwriting: A Writer's Guide to the Craft and the Elements of a Screenplay"]]. *German Book [[http://www.amazon.de/exec/obidos/ASIN/3924491615/hemmerling-21|David Howard, Edward Mabley: "Drehbuch Handwerk: Technik und Grundlagen. Mit Analysen erfolgreicher Filme"]]. *Steve(n) D. Katz: *Book [[http://www.amazon.de/exec/obidos/ASIN/0941188108/hemmerling-21|Steven D. Katz: "Film Directing Shot by Shot.:. Visualizing from Concept to Screen"]], 1991. *Book [[http://www.amazon.de/exec/obidos/ASIN/B07PHKM68N/hemmerling-21|Steven D. Katz: "Film Directing: Shot by Shot - 25th Anniversary Edition: Visualizing from Concept to Screen"]], 2019. *German book by Steve(n) D. Katz "Die richtige Einstellung", [[http://www.zweitausendeins.de/|Zweitausendeins]] #18258, ISBN 3861502291. *Book [[http://www.amazon.de/exec/obidos/ASIN/187950541X/hemmerling-21|Joseph V. Mascelli: "The Five C's of Cinematography: Motion Picture Filming Techniques"]]. *German book [[http://www.amazon.de/exec/obidos/ASIN/3499614332/hemmerling-21|James Monaco, Hans-Michael Bock: "Film verstehen: Kunst, Technik, Sprache, Geschichte und Theorie des Films und der Medien"]]. *Book [[http://www.amazon.de/exec/obidos/ASIN/0452271878/hemmerling-21|Robert Rodriguez: "Rebel without a Crew: Or How a 23-Year-Old Filmmaker With $7,000 Became a Hollywood Player"]]. *Jeremy Vineyard: *Book [[http://www.amazon.de/exec/obidos/ASIN/0941188736/hemmerling-21|Jeremy Vineyard: "Setting Up Your Shots - Great Camera Moves Every Filmmaker Should Know"]]. *German book by Jeremy Vineyard "Crashkurs Filmauflösung", [[http://www.zweitausendeins.de/|Zweitausendeins]] #18358, ISBN 3861503581. ==== Books about Lighting ==== *PDF book [[http://www.joelgrimes.com/photographers-guide|Joel Grimes "Photographers Guide to Lighting"]] - I learned about it by YouTube advertising in 2023-03 :-). ==== Books about Music Production, Composing, Audio Making ==== *Book [[http://www.amazon.de/exec/obidos/ASIN/3897750155/hemmerling-21|Cesar Marinovici: "Komponieren - aber wie?!: Ideen sind gut - Wissen ist besser!. Kompositionstechnik für Rock, Pop und Jazz. Mit Übungen, Kompositionen und Hörbeispielen"]]. *Book [[http://www.amazon.de/exec/obidos/ASIN/392719039X/hemmerling-21|Thomas Pohl: "Sequencer Works. Komponieren und arrangieren mit MIDI"]]. ===== Videomaking - Theory ===== *[[http://www.dogme95.dk/|Dogme95.dk – A tribute to the official Dogme95]]. *[[http://www.dogme95.dk/the-vow-of-chastity/|Dogme95.dk – A tribute to the official Dogme95 "The Vow of Chastity"]] - I don't agree! ===== Videos about Video Making ===== *[[http://www.arte.tv/de/videos/106595-006-A/kurzschluss-das-magazin/|ARTE "Kurzschluss - Das Kurzfilm-Magazin" / "Court-Circuit"]]. *[[http://www.youtube.com/user/PanasonicVideoZone|YouTube "Panasonic VideoZone"]]. *[[http://www.vimeo.com/videoschool|Vimeo "Vimeo Video School"]] - "Learn how to make better videos through lessons, tutorials, and sage advice from us, your friendly personal creativity consultants". ===== Resources ===== *[[http://web.archive.org/web/*/http://www.filmcom.org/|filmcom.org – "Wir lieben Film. Filmwissen online"]], Hannover ( - 2021-04-11 ). *Goof directories: *[[http://www.filmfehler.de/atoz.asp|filmfehler.de]] ( - 2001-04-07 ) by Web-Creativity Dortmund, Michele Marsching, Alexander Imiela ). *[[http://www.filmpannen.de/|Gregor Jochim "Lexikon der Filmpannen"]]. *[[http://web.archive.org/web/*/http://www.hackermovies.com/|Archive.org "hackermovies.com - Die Independent-Community von Filmemachern für Filmemacher"]] ( - 2013-03-31 ). *[[http://web.archive.org/web/*/http://www.8ung.at/quintus/forumstreffen3/wkrieger.htm/|Archive.org "Wolfgang Krieger: Zum Hören" = der gute Ton"]] ( - 2005-04-09 ) - "Einwandfreie Tonaufnahme ist ein unbedingtes Muß für den Video Profi oder ambitionierten Amateur". *[[http://web.archive.org/web/*/http://members.aon.at/schretz/|Archive.org "Reinhard Schretzmayer"]] ( - 2005-03-07 ) - "KnowHow und FAQs zum Thema Videofilmen und Videoschnitt". *[[http://web.archive.org/web/*/http://members.aon.at/schretz/knowhow.htm|Archive.org "Reinhard Schretzmayer: KnowHow"]]. *FAQs: *[[http://web.archive.org/web/*/http://members.aon.at/schretz/faqs/faq_001.htm|Archive.org "Reinhard Schretzmayer: FAQ 001"]]. *[[http://web.archive.org/web/*/http://members.aon.at/schretz/faqs/faq_002.htm|Archive.org "Reinhard Schretzmayer: FAQ 002"]]. *[[http://web.archive.org/web/*/http://members.aon.at/schretz/faqs/faq_003.htm|Archive.org "Reinhard Schretzmayer: FAQ 003"]]. *[[http://web.archive.org/web/*/http://members.aon.at/schretz/faqs/faq_004.htm|Archive.org "Reinhard Schretzmayer: FAQ 004"]]. *[[http://web.archive.org/web/*/http://members.aon.at/schretz/faqs/faq_005.htm|Archive.org "Reinhard Schretzmayer: FAQ 005"]]. *[[http://web.archive.org/web/*/http://members.aon.at/schretz/faqs/faq_006.htm|Archive.org "Reinhard Schretzmayer: FAQ 006"]]. *[[http://web.archive.org/web/*/http://members.aon.at/schretz/faqs/faq_007.htm|Archive.org "Reinhard Schretzmayer: FAQ 007"]]. *[[http://web.archive.org/web/*/http://members.aon.at/schretz/faqs/faq_008.htm|Archive.org "Reinhard Schretzmayer: FAQ 008"]]. *[[http://web.archive.org/web/*/http://members.aon.at/schretz/faqs/faq_009.htm|Archive.org "Reinhard Schretzmayer: FAQ 009"]]. *[[http://web.archive.org/web/*/http://members.aon.at/schretz/faqs/faq_010.htm|Archive.org "Reinhard Schretzmayer: FAQ 010"]]. *[[http://web.archive.org/web/*/http://members.aon.at/schretz/faqs/faq_011.htm|Archive.org "Reinhard Schretzmayer: FAQ 011"]]. *[[http://web.archive.org/web/*/http://members.aon.at/schretz/faqs/faq_012.htm|Archive.org "Reinhard Schretzmayer: FAQ 022"]]. *[[http://web.archive.org/web/*/http://members.aon.at/schretz/faqs/faq_013.htm|Archive.org "Reinhard Schretzmayer: FAQ 013"]]. *[[http://web.archive.org/web/*/http://members.aon.at/schretz/faqs/faq_014.htm|Archive.org "Reinhard Schretzmayer: FAQ 014"]]. *[[http://web.archive.org/web/*/http://members.aon.at/schretz/faqs/faq_015.htm|Archive.org "Reinhard Schretzmayer: FAQ 015"]] - "Frage: 'Wie schneidet man mit Rex-/Raptor-/EasyEdit größere Projekte (ohne Scenalyzer)?'". *[[http://web.archive.org/web/*/http://members.aon.at/schretz/faqs/faq_016.htm|Archive.org "Reinhard Schretzmayer: FAQ 016"]]. *[[http://web.archive.org/web/*/http://members.aon.at/schretz/faqs/faq_017.htm|Archive.org "Reinhard Schretzmayer: FAQ 017"]]. *[[http://web.archive.org/web/*/http://members.aon.at/schretz/faqs/faq_018.htm|Archive.org "Reinhard Schretzmayer: FAQ 018"]]. *[[http://web.archive.org/web/*/http://members.aon.at/schretz/faqs/faq_019.htm|Archive.org "Reinhard Schretzmayer: FAQ 019"]]. *[[http://web.archive.org/web/*/http://members.aon.at/schretz/faqs/faq_020.htm|Archive.org "Reinhard Schretzmayer: FAQ 020"]]. *[[http://web.archive.org/web/*/http://members.aon.at/schretz/faqs/faq_021.htm|Archive.org "Reinhard Schretzmayer: FAQ 021"]]. *[[http://web.archive.org/web/*/http://members.aon.at/schretz/faqs/faq_022.htm|Archive.org "Reinhard Schretzmayer: FAQ 022"]]. *[[http://web.archive.org/web/*/http://homepage.ruhr-uni-bochum.de/Oliver.R.Weiss/|Archive.org "Oliver R. Weiss: Drehbuchhandwerk"]] ( - 2003-06-05 ). {{tag>audiovision video}}